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Diana Domingues
* 1947, currently based: Brazil
Affiliated institution: Founder and Director of LART, CNPq Researcher, Senior Collaborator Professor at the PostGraduate Program in Biomedical Engineering-UnB and at the Science and Technologies in Health PostGraduate Program-UnB, Research Collaborator at the FAPESP/UICAMP
dgdomingues@gmail.com

Cite
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Archive of Digital Art (ADA). “Diana Domingues – artist profile”. https://www.digitalartarchive.at/database/artists/general/artist/domingues.html. (retrieved 2024-04-04). @online{ADAartistprofile, author = {Archive of Digital Art (ADA)}, title = {Diana Domingues artist profile}, url = {https://www.digitalartarchive.at/database/artists/general/artist/domingues.html}, urldate = {retrieved 2024-04-04}
About
Prof. Dr. Diana Domingues, is the founder and the Director of LART (Art and TechnoScience Research Laboratory, Brazil). She is a CNPq researcher PQ1 A at the National Research Board, Ministry of Science Technology and Innovation, She actuates as a senior Professor at the PostGraduate Program in Biomedical. Engineering at UnB FGA Gama and at the PostGraduate Program in Science and Technologies in Health at UnB Ceilândia. She also is a Researcher Collaborator at the Computig Institut – UNICAMP at the Socioenactive Group UNICAMP FAPESP. She received the Grant of the National Program of Visiting Professors (PVNS/CAPES of the Ministry of Education, (2010 2014), Brazil. She holds a postdoctoral degree from ATI – Art & Technologies de l’Image, Université Paris VIII, and a PhD in Communications and Semiotics from PUC São Paulo. She traced the plan of ‘New Leonardos’ in Brazil at the University of Brasilia and UNICAMP, based on the creative minds of artists and scientists to redefine the boundaries of Art and TechnoScience, investigating innovative practices for contributions to contemporary forms of Art. Her actions are related to international collaborations such as at MIT – Camera Cultura/CNPq,Advisory Board of the Program MediaAC, Department for Image Science (Danube University Krems), and OCADU in Toronto, editorial Board of Digital Creativity, consultant and advisory member in events of Societies ISEA, Leonardo and others. Publications of high impact at IEEE, ISEA, Leonardo, SPIE, Siggrpah. Editorial results including around 15 books in Anthologies, Journals, special issues and the landmark books at EDUNESP.

She is the author of approximately 100 chapters in books and articles in journals of Harmattan, Presses UQAM, LAVAL, and other publishers in Mexico, Spain, Italy, France, the UK, China, Japan, and the US, including Leonardo and Digital Creativity. She is a reference in Latin American Contemporary Arts with over 50 individual exhibits, and over 130 collective exhibitions in São Paulo Biennials, Bienal de la Habana, Bienal do Mercosul, HKW (Berlin), Maison Européenne de la Photographie Paris 2005, Museum MN Belas Artes (Rio de Janeiro),Buenos Aires,  UNAM Mexico, MAM  Buenos Aires, São Paulo MAC (São Paulo), and in galleries and museums in France, Italy, Sweden, the US, Greece, China, Mexico, Peru, Argentina and Colombia. She has curated international events such as Ciberarte Zonas de Interação (II Bienal do Mercosul), engaging with over 300 scientists and artists.

Awards include The 2000 UNESCO PRIZE – 7th Biennial la Habana; The First LEONARDO Global Crossing Prize; 2004 Rockefeller Foundation; Personality of the XX Century (Caxias do Sul, Brazil); and  SERGIO MOTTA PRIZE 2011, Celebrated Artist, SAD , UEMG , 2018 ,  Her work is published in seminal books of Edmond Couchot, Louise Poissant, Sara Diamond and others. She is in the selected list of artists  of the book  Latin American Art in the 20th Century, by Edward-Lucie Smith,Thames and Hudson, 2003; Bruce Wands; Digital Art, 2004,  Stephen Wilson,  Information Arts, MIT Press 2002 Art + Science Now, by Thames and Hudson, 2009; Digital Creativity, 2016, vol 27, n. 4.
CV

2003 - 2003 Post-Doctor degree in Virtual Reality and Digital Interactive Images at ATI (Arts et Technologies de l´Image), Paris VIII

2003 Postdoc at the a em Image Numérique et Réalité Virtuelle - Université Paris VIII, França, ATI & Technologies de L´Image; INREV / about Image Numérique et Réalité Virtuelle

2003 Member of the jury of the Digital Arts Awards UNESCO

2000 Member oft the ISEA (International Society for the Electronic Arts) and member of the IPC (International Programming Comitee) for ISEA

1999 Organisation of the art and technology section of the II Bienal Internacional del Mercosul (Porto Alegre)

1998 Curator of the event interf@ce 98, Technologies, creation and knowledge, 1st Symposium of Research Universidade de Caxias do Sul

1995 Organisation of the exhibition and symposium “Arte no século XXI - a humanização das tecnologias” (São Paulo)

1993 PhD in Communication and Semiotics from PUC / Thesis: "The Electronic Image and the Poetics of Metamorphosis"

1990 MA from the College of Communication and Arts at São Paulo University / Thesis: "Connexio: One Optical-Electronic Life for Images"

1980 - 1999 Professor at the Universidade de Caxias do Sul / Departamento de Artes do Centro de Ciências Humanas e Artes Coordinator of the research group “Artecno - Novas tecnologias nas artes visuais”

UNESCO Prize for the Promotion of the Arts, 7th Biennial of La Habana, Cuba / for Trans-E: My Body, My Blood Member of the International Bridges Consortium on Collaboration in Art and Technology, USC (University of Southern California) and Banff Multimedia Centre, Canada.

News
Exhibitions & Events
Publications & References
University of Caixas do Sul, ed. Instrumental Poetics: The Interactive Art of Diana Domingues. Caixas do Sul: Grupo Artecno - Lab NTAV, 2001.
Couchot, Edmond. »Between Trance and Algorithm.« In Trans-E: My Body, My Blood: Interactive Installation, edited by Diana Domingues. : Universidade de Caxias Do Sul - Brazil, 1997.
Herkenhoff, Paulo Estellita. »Paragens.« In XXI. Bienal Internacional de Sao Paulo. Exposicao Coletiva de Diana Domingues, edited by Jorge Eduardo Stockler, 207. : Fundacao Bienal de Sao Paulo, 1991.
Domingues, Diana. »Day-Dreaming States in Interfaced Environments: Telematic Rituals in Ouroboros.« Leonardo 37, no. 4 (August 11th 2004): 308-314.
Domingues, Diana. Arte e Vida no Século XXI: Tecnologia, ciência e criatividade. São Paulo, BR: Editora UNESP, 2003.
Domingues, Diana. »Le CyberArt et La Magie du Cyberspace.« In Les défis du cybermonde, edited by Hervé Fischer. Quebec, CAN: Presses de l'Université du Québec, 2003.
Domingues, Diana. Criacao e interatividade na ciberarte. São Paulo, BR: Experimento, 2002.
Domingues, Diana. »The Desert of Passions and the Technological Soul.« In Digital Creativity, edited by Colin Beardon and Lone Malmborg and Masoud YazdaniVol.9. , 11-18. : Swets and Zeitlinger Publishers, 1998.
Domingues, Diana. A Arte no Século XXI: a humanização das tecnologias. São Paulo, BR: Editora UNESP, 1997.
Domingues, Diana, ed. Trans-e: my body, my blood. Interactions meaning: content and context. Caixas do Sul: Lorigraf, 1997.