* 1959, currently based: Taiwan
Affiliated institution: National Taiwan University of Arts
https://linpeychwen.com/
About
Lin Pey-Chwen was born in Ping-tong County, Taiwan in 1959. She received a Doctor of Creative Arts from the University of Wollongong, Australia in 1996. She was chairwoman of the Graduate School of Multimedia and Animation Arts, National Taiwan University of Arts, professor of Dept. Multimedia and Animation Arts, National Taiwan University of Arts, and chair professor and Dean of College of Planning and Design, China University of Technology. Currently, Lin serves as art director of “Lin Pey-Chwen Digital Arts Lab”, director of “Taiwan Art & Technology Association”, and honorary chairwoman of “Taiwan Women's Art Association” (TWAA). She has received many art awards and recognitions, including Taiwan Chung-Shing Award, Taiwan Public Art Award, Red Dot Award, One of The Best Asian Artists Selected by Picasso Mio, The First Prize (FELLOWSHIP PRIZE 2020 – Platinum Certificate Award in Art Project category) in Art Woman 2020 International Exhibition, PPLG Project & Services for the Culture and Contemporary Art Italy, and Australian Visa of Distinguished Talent, etc.
Lin’s artworks have gained worldwide recognition including featured artworks in 40 Years Edition of Chronicles of Taiwan Contemporary Art (2012), a report in the Special Column of Global Women’s Museum IGNITE in the USA, exclusive interview with Archive of Digital Art(ADA), and the Special Column of PripheralARTeries Biennial featured artworks in “agideas International Design Forum” in Australia and “The Borders of Digital Art International Symposium” in the University of Oxford in England, 2022 TECHART Conference in Korea etc. In 2019, she became the recipient of Lorenzo il Magnifico, the winner of the first prize in the “new media art” category of Italy XII Florence Biennial of International Award.
After coming back to Taiwan from America in 1989, Lin first had a solo exhibition at American Cultural Center and joined the contemporary art group “Apartment 2” upon invitation. In 1998 she published Women Art Discourse, the first book on Taiwanese female artists. Later she co-founded the “Taiwan Women's Art Association” (TWAA) with other established female artists and became one of the major promoters of Taiwanese women’s art. Since 2010, Lin has initiated contextual research and a series of exhibitions of digital art in Taiwan. She published the first Taiwan digital art book, “Taiwan Digital Art E-Files”, which marks her as the widely-acclaimed pioneer of Taiwan digital art. Her works have been invited to many exhibitions all around the world such as Queens Museum in New York, Exit and Via Art Festival in France, WRO Media Art Biennale in Poland, Ars Electronica 2021: Garden Hong Kong, Taipei Biennial, Taiwan Biennial, etc. Her achievements have been documented in many art journals and art history books internationally, such as n.paradoxa International feminist art journal, East Asian Journal of Popular Culture, International Journal of Cultural and Creative Industries, and History of Contemporary Art in Taiwan, etc.
Lin’s artworks have gained worldwide recognition including featured artworks in 40 Years Edition of Chronicles of Taiwan Contemporary Art (2012), a report in the Special Column of Global Women’s Museum IGNITE in the USA, exclusive interview with Archive of Digital Art(ADA), and the Special Column of PripheralARTeries Biennial featured artworks in “agideas International Design Forum” in Australia and “The Borders of Digital Art International Symposium” in the University of Oxford in England, 2022 TECHART Conference in Korea etc. In 2019, she became the recipient of Lorenzo il Magnifico, the winner of the first prize in the “new media art” category of Italy XII Florence Biennial of International Award.
After coming back to Taiwan from America in 1989, Lin first had a solo exhibition at American Cultural Center and joined the contemporary art group “Apartment 2” upon invitation. In 1998 she published Women Art Discourse, the first book on Taiwanese female artists. Later she co-founded the “Taiwan Women's Art Association” (TWAA) with other established female artists and became one of the major promoters of Taiwanese women’s art. Since 2010, Lin has initiated contextual research and a series of exhibitions of digital art in Taiwan. She published the first Taiwan digital art book, “Taiwan Digital Art E-Files”, which marks her as the widely-acclaimed pioneer of Taiwan digital art. Her works have been invited to many exhibitions all around the world such as Queens Museum in New York, Exit and Via Art Festival in France, WRO Media Art Biennale in Poland, Ars Electronica 2021: Garden Hong Kong, Taipei Biennial, Taiwan Biennial, etc. Her achievements have been documented in many art journals and art history books internationally, such as n.paradoxa International feminist art journal, East Asian Journal of Popular Culture, International Journal of Cultural and Creative Industries, and History of Contemporary Art in Taiwan, etc.
CV
About
https://linpeychwen.com/cv/
Education
1996 Doctor of Creative Arts, University of Wollongong, Australia
1985 Master of Arts, Central Missouri State University,USA
1984 Bachelor of Fine Arts, Central Missouri State University,USA
Academic Experience
2010~ now Art Director of “Lin Pey-Chwen Digital Arts Lab.”
2017~2018 Chair Professor and Dean of College of Planning and Design, China University of Technology, Taipei, Taiwan
2003~2017 Professor of Dept. Multimedia and Animation Arts, National Taiwan University of Arts
2001~2002 Chair of Graduate School of Multimedia and Animation Arts, National Taiwan University of Arts
1997~2000 Chair of Dept. of Commercial Design, Chung Yuan University
1996~2001 Associate Professor of Dept. of Commercial Art, Chung Yuan University
Publications
2020 “Revelation of Eve Clone”: Lin Pey-Chwen +Digital Art Lab, Tainan Art Museum, Tainan, Taiwan
2019 “Pey-Chwen Lin: Making of Eve Clone”, B.B.Art/ Taiwanese American Arts Council, Taiwan/New York
2018 “Word and Tech–Revelation and Notification of Pey-Chwen Lin’s Art”, Artist Publisher, Taipei, Taiwan
2012 “Taiwan Digital Art E-Files”, Artist Publisher, Taipei, Taiwan
2012 “Lin Pey-Chwen Eve Clone Series”, Galerie Grand Siecle, Taipei, Taiwan
2004 “Go Out of Civilization, Back to Nature”, National Taiwan University of Arts, New Taipei, Taiwan
1999 “Lin, Pey-Chwen”, Cultural Affairs Bureau of Toayuan, Taiwan
1999 “Lin Pey-Chwen’s Work Concept”, Fembooks Publisher
1998 “Women Art Discourse”, Fembooks Publisher, Taipei
1996 UNIVERSITY OF WOLLONGONG PHD THESIS,“The position of women in Taiwan’s social structure reflected in contemporary arts “ by Pey-Chwen Lin
1995 “Women’s Interpretation –Lin Pey-Chwen Solo Exhibition”, Capital Art, Taichung/National Taiwan Museum of Arts
Selected Solo Exhibitions
2021 “Ars Electronica 2021: Garden Hong Kong – Art in the Cloud “, Osage Art Gallery, Hong Kong
2020 “Revelation of Eve Clone”: Lin Pey-Chwen +Digital Art Lab, Tainan Art Museum, Tainan, Taiwan
2020 “Body Manifestation : Pey-Chwen Lin Solo Exhibition”, Da Xiang Art Space, Taichung, Taiwan
2019 “Eve Clone Augmented Reality”, QCC Art Gallery, CUNY, New York, USA
2019 “Making of Eve Clone III”, The Fine Arts Museum of National Defense, Taipei, Taiwan
2018 “Making of Eve Clone II “, B.B.Art, Tainan, Taiwan
2017 “Making of Eve Clone”, Galerie Grand Siècle, Taipei, Taiwan
2015 “Revelation‧Notification –Solo Exhibition by Lin Pey-Chwen”, National Tsing Hua University Arts Center, Hsinchu, Taiwan
2012 “Eve Clone Series III”, Art Stage Singapore, Singapore
2011 “Eve Clone Series II”, Galerie Grand Siecle, Taipei, Taiwan
2011 “Eve Clone Series”, Museum of Contemporary Art, Taipei, Taiwan
2006 “Artificial Life”, Art Center of National Central University, Taoyuan, Taiwan
2006 “The Beautiful New World”, 798 Art Village, Dimensions Art Center, Beijing, China
2005 “Fascination & Frustration”, Artist Space of National Hsinchu University of Education/ Art Center of Kao Yuan University, Hsinchu/Kaohsiung, Taiwan
2004 “Catching”, Museum of Contemporary Art, Taipei, Taiwan
2004 “Un-Natural “, International Art Center of National Taiwan University of Arts, Taipei, Taiwan
2000 “Patriarchal Deconstruction”, National Taiwan Art Educational Art Museum, Taipei, Taiwan
2000 “Viewing View”, Taoyuan Cultural Art Center, Taoyuan, Taiwan
1999 “Golden Song”, Spazio Diciotto, Florence, Italy
1998 “Classics Works”, Gallerie Pierre Art, Taichung, Taiwan
1998 “Safety Nest”, Taipei City Hal, Taipei, Taiwan
1996 “Reality and Falsehood”, HCTC Artist Space of National Hsinchu University of Education, Hsinchu, Taiwan
1996 “Antithesis and Intertext II”, Project Contemporary Art Space, Wollongong, Australia
1995 “Antithesis and Intertext”, Taipei Fine Arts Museum, Taipei, Taiwan
1993 “Women’s Interpretation”, National Taiwan Museum of Arts, Taichung, Taiwan
1992 “Solo Exhibition of Lin Pey-Chwen”, Space II, Taipei, Taiwan
1991 “Solo Exhibition of Lin Pey-Chwen”, Space II, Taipei, Taiwan
1990 “Solo Exhibition of Lin Pey-Chwen”, Space II, Taipei Taiwan
1989 “Shape, Color and Strokes”, American Cultural Center, Taipei, Taiwan
1984 “Break Through”, Art Center of CMSU, USA
Selected Group Exhibitions
2020 “Art Woman 2020”, PPLG | Project & Services for the Culture and Contemporary Art , Primopiano gallery, Italy
2019 “XII Florence Biennale”, Florence, Italy
2019 “Cross-border and Hybrid”, Art Taipei, Taipei
2019 “Urban Tribes", New York Foundation for the Arts/ El Taller Art Center/TAAC Tribeca/E. Tay/R Gallery, New York, USA
2019 “Cultivation, Link and Expand – 2019 Taoyuan Women’s Art Exhibition", Taoyuan Museum of Fine Arts, Taoyuan Cultural Bureau, Taoyuan, Taiwan
2019 “Light Year 53: From The People To The Land”, Manhattan Bridge Anchorage, New York, USA
2019 “GZ-XPO London –Art and Awareness Exhibition”, London, England
2019 “Being Here as ME: New Media Art Exhibition of Women Artists from Taiwan”, American University Museum, Washington DC, USA
2018-9 “Femi–Flow: Creating Female Subjectivity in Art”, National Taiwan Craft Research and Development Institute, Nantou/Taipei, Taiwan
2018 “Should We Play?”, Taipei Art District Festival, Taipei, Taiwan
2018 “Making of Eve Clone I”, Fibering-Eco as a Verb, WRO Art Center, Wroclaw Poland
2018 “GZ-New York”, New York, USA
2018 “GZ-BASEL” Parallel Exhibition of Art Basel, Basel, Swiss
2018 “XXI Symposium Neuroradiologicum”, Taipei International Convention Center, Taipei
2018 “Douro Printmaking Biennial”, Douro, Portugal
2018 “404 International Festival of Art and Technology”, The University of Massachusetts Lowell Art Center, Massachusetts, USA
2017 ” GZ-Venice” Parallel Exhibition of Venice Biennale, Venice, Italy
2017 “The 3rd Global Print”, Douro, Portugal
2017 ”Fibering–Eco As A Verb” International Video Installation Exhibition , Yo-Chang Art Museum, Taipei
2017 ”Taiwan Videa” 2017 Selection –The Taiwanese Avant-garde Video Screening Project, Republic of Macedonia: Museum of Contemporary Art, Skopje/Croatia: Galerija AŽ Atelieri Žitnjak, Zagreb/ Slovenia: SCCA –Ljubliana Center for Contemporary Arts /Germany: art space “Rosalux" , Berlin
2017 “Besides July”, Da Xiang Art Space, Art Taichung, Taichung
2017 “Dramaturgy Body Rewritten Contemporary Art", Lee Gallery, Taipei, Taiwan
2017 “GZ-KUNST”, Fatamorgana Gallery, Berlin, Germany
2016 “ Like To Loud a Solitude”, MoNTUE Museum, Taipei, Taiwan
2016 “ 404 International Festival of Art and Technology”, C++ Gallery, Bogota, Colombia
2016 “Women Social Subjectivity –Taiwan Women Art Exhibition”, Chiayi Cultural Affairs Bureau, Chiayi, Taiwan
2016 “Digital Attraction International Contemporary Art Exhibition”, Fu-Chung 15, New Taipei, Taiwan
2015 “The Apocalyptic Sensibility: The New Media Art from Taiwan”, Taipei Fine Art Museum, Taipei, Taiwan
2015 “The MOMENT: The Taiwanese Art Projects”, Tenri Cultural Institute, New York City, USA
2015 “404 International Festival of Art and Technology”, Rosario, Argentina
2015 “Dancing with Era –40 Years of Taiwan Contemporary Art”, Kaohsiung Museum of Fine Arts, Kaohsiung, Taiwan
2014 “Cultural Capsules”, JCAL, New York, USA
2014 “404 International Festival of Art and Technology”, Platforma, Moscow, Russia
2014 “Progressive Proof: SF State exhibit features women printmakers from Pacific Rim”, San Francisco State University Art Museum, San Francisco, USA
2014 “Raising the Temperature “International Art Exhibition, Queens Museum of Art, New York, USA
2014 “In the Name of Asia female Artist”, Kaohsiung Museum of Fine Art, Kaohsiung, Taiwan
2014 “Mirage & Aural Beauty”, National Taiwan Science Education Center, Taipei, Taiwan
2013 “Post Humanist Desire International Exhibition”, Museum of Contemporary Art, Taipei, Taiwan
2013 “The Tetramatyka Audio Visual Art Festival”, Lviv National Art Museum, Ukraine
2013 “15th WRO Media Art Biennale”, Wroclaw, Poland
2012 “Body and Interface”, Taipei Digital Art Center, Taipei, Taiwan
2012 “404 International Festival of Art and Technology”, Rosario, Argentina
2012 “Taiwan Biennial –YES, Taiwan”, National Taiwan Museum of Fine Arts, Taichung, Taiwan
2012 “Transjourney –2012 Future Media Festival”, Kuandu Museum of Fine Art, Taiwan
2011 “Next Body Digital Art Exhibition”, Huashan1914 Creative Park, Taipei, Taiwan 2010 “Body, Gender, Technology”, Taipei Digital Art Center, Taipei, Taiwan
2010 “0&1: Digital Space and Gender Myths”, 501 Contemporary Art Center, Chungking, China
2009 “Her First Solo Review and Perspective of Contemporary Women Artists in Taiwan”, National Chang Kai-Shek Memorial Hall, Taipei, Taiwan
2009 “Virtual Fantasy”, Taidong Museum of Arts, Taidong, Taiwan
2009 “VT Report”, VT Art Space, Taipei, Taiwan
2009 “Interdisciplinary Horizon – Exhibition of Lin Pey-Chwen Digital Art Lab”, Providence University Art Center, Taichung, Taiwan
2008 “Meditation in Contemporary Chinese Landscape”, International Exhibition, Godwin-Ternbach Museum, New York, USA
2008 “Back to the Garden”, Queens Art Pavilion, New York, USA
2007 “BOOM: Interplay of Fast and Frozen Permutation in New Media, Taiwan –Australia New Media Art Exhibition”, NTUA Art Museum/ Kuandu Museum of Fine Arts, Taipei, Taiwan
2007 “Exit and Via Art Festival”, Creteil, France
2006 “Morning Dew”, Kuandu Museum of Fine Arts, Taipei National University of the Arts, Taipei, Taiwan
2006 “Pingtung International Peninsula Art Festival”, Pingtung, Taiwan
2006 “Imaginary Number in Art”, Art Center of Kao Yuan University, Kaohsiung, Taiwan
2006 “Animation Originality”, Shanghai Museum of Contemporary Art, Shanghai, China
2005 “Border Crossing –The Shadow Dance of Cities “, Taipei Artist Village, Taipei, Taiwan and Shanghai, China
2005 “Shanghai Cool: Creative Reproduction”, Shanghai Duolun Museum of Modern Art, Shanghai, China
2005 “Motion with Time”, Gallerie Pierre Art, Taichung, Taiwan
2004 “Taiwan Avant-Garde Documenta”, Huashan1914 Creative Park, Taipei, Taiwan
2004 “Nexus: Taiwan in Queens”, Queens Museum of Art, New York, USA
2003 “Passing 13”, Gallerie Pierre Art, Taichung, Taiwan
2003 “Contemporary Art in Taiwan”, Fong Chia Museum of Art, Taipei, Taiwan
2002 “Sour and Sweet Yeast”, Woman Art Exhibition, Huashan 1914, Creative Park/ Kio- A-Thau Sugar Factory, Taipei/ Kaohsiung, Taiwan
2001 “Journey of the Spirit”, Kaohsiung Museum of Fine Arts, Kaohsiung, Taiwan 2001 “Treasure –Back to Nature Series”, Chingjing Farm, Nantou, Taiwan
1998 “Taiwan Female Art Exhibition –Image and Aesthetics”, Taipei Fine Arts Museum, Taipei, Taiwan
1998 “Reflection and Reconsideration –228 Commemorative Exhibition”, Taipei Fine Arts Museum, Taipei, Taiwan
1998 “Sadness Transformed –228 Commemorative Exhibition”, Taipei Fine Arts Museum, Taipei, Taiwan
1996 “1996 Taipei Biennial: The Quest For Identity”, Taipei Fine Arts Museum, Taipei, Taiwan
1994 “Space II Group Exhibition”, National Taiwan Art Museum, Taichung, Taiwan
1993 “Space II Group Exhibition”, UP Gallery, Kaohsiung, Taiwan
1993 “Colorful Abstract Art”, Home Art Gallery, Taipei, Taiwan
1993 “Space II Group Exhibition”, SPACE II Gallery, Taipei, Taiwan
1992 “Space II Group Exhibition”, SPACE II Gallery/GO GO Gallery/ Up Gallery, Taipei /Tainan/Kaohsiung, Taiwan
1992 “Individualism, Third Party”, Capital Art Center, Taichung, Taiwan
1991 “Female, Me, Exhibition”, Dimension Art Center, Taipei, Taiwan
1991 “Space II Group Experimental Exhibition”, Taipei Fine Art Museum, Taipei, Taiwan
1991 “Space II Group Exhibition”, Space II, Taipei, Taiwan
1990 “Space II Group Exhibition”, Space II, Taipei, Taiwan
Works
- »Eve Clone IV/V« 2011
News
26.05.2022
Pey-Chwen Lin was invited to talk about her “Eve Clone Series “ in 2022 ARTTECH Conference in Korea
https://www.techart.cau.ac.kr/conferences/2022-techart-conference https://www.youtube.com/watch?v=gS2cxjePl1Q I will introduce my “Eve Clone” series and present the video of my solo exhibition “Revelation of Eve Clone” held at the Tainan Art Museum from 2019 to 2020. By using 3D computer animation, I created a digital female figure with hybrid texture named, Eve Clone, in order to criticize humans’ desire of playing the role of God. I established a critical narrative that uses the media art to reflect the symbolism of “Eve Clone”, who has many layers of metaphor.
Pey-Chwen Lin was invited to talk about her “Eve Clone Series “ in 2022 ARTTECH Conference in Korea
https://www.techart.cau.ac.kr/conferences/2022-techart-conference https://www.youtube.com/watch?v=gS2cxjePl1Q I will introduce my “Eve Clone” series and present the video of my solo exhibition “Revelation of Eve Clone” held at the Tainan Art Museum from 2019 to 2020. By using 3D computer animation, I created a digital female figure with hybrid texture named, Eve Clone, in order to criticize humans’ desire of playing the role of God. I established a critical narrative that uses the media art to reflect the symbolism of “Eve Clone”, who has many layers of metaphor.
31.03.2022
Congratulations on Pey-Chwen Lin’s work “Making of Eve Clone Portrait IAR" exhibits in the international contemporary art exhibition ID-ENTITY R-EVOLUTION: BODIES-NATURANS, TRANSITS AND CYBERSPACE.
Curator: Dores Sacquegna Date & Venue From 19th to 31st March 2022 Palmieri Foundation, Vico Dei Sotterranei, Lecce, Italy
Congratulations on Pey-Chwen Lin’s work “Making of Eve Clone Portrait IAR" exhibits in the international contemporary art exhibition ID-ENTITY R-EVOLUTION: BODIES-NATURANS, TRANSITS AND CYBERSPACE.
Curator: Dores Sacquegna Date & Venue From 19th to 31st March 2022 Palmieri Foundation, Vico Dei Sotterranei, Lecce, Italy
01.01.2022
Congratulations Pey-Chwen Lin’s works “Eve Clone Series “ were discussed in Dr Ming Turner’s paper ‘Technological Art and the Borders of Sexuality and Gender in Taiwan: A Case Study of Pey-Chwen Lin’ , and published in the book “Visual Culture Wars at the Borders of Contemporary China: Art, Design, Film, New Media and the Prospects of ‘Post-West’ Contemporaneity” , London: Palgrave Macmillan, 2021
https://link.springer.com/chapter/10.1007/978-981-16-5293-6_10 Congratulations Pey-Chwen Lin’s works “Eve Clone Series “ were discussed in Dr Ming Turner’s paper ‘Technological Art and the Borders of Sexuality and Gender in Taiwan: A Case Study of Pey-Chwen Lin’ , and published in the book “Visual Culture Wars at the Borders of Contemporary China: Art, Design, Film, New Media and the Prospects of ‘Post-West’ Contemporaneity” , London: Palgrave Macmillan, 2021
Congratulations Pey-Chwen Lin’s works “Eve Clone Series “ were discussed in Dr Ming Turner’s paper ‘Technological Art and the Borders of Sexuality and Gender in Taiwan: A Case Study of Pey-Chwen Lin’ , and published in the book “Visual Culture Wars at the Borders of Contemporary China: Art, Design, Film, New Media and the Prospects of ‘Post-West’ Contemporaneity” , London: Palgrave Macmillan, 2021
https://link.springer.com/chapter/10.1007/978-981-16-5293-6_10 Congratulations Pey-Chwen Lin’s works “Eve Clone Series “ were discussed in Dr Ming Turner’s paper ‘Technological Art and the Borders of Sexuality and Gender in Taiwan: A Case Study of Pey-Chwen Lin’ , and published in the book “Visual Culture Wars at the Borders of Contemporary China: Art, Design, Film, New Media and the Prospects of ‘Post-West’ Contemporaneity” , London: Palgrave Macmillan, 2021
01.01.2022
Turner, Ming (2021). ‘Technological Art and the Borders of Sexuality and Gender in Taiwan: A Case Study of Pey-Chwen Lin’ in Gladston, Paul, Beccy Kennedy-Schtyk and Ming Turner (eds.) Visual Culture Wars at the Borders of Contemporary China: Art, Design, Film, New Media and the Prospects of ‘Post-West’ Contemporaneity. London: Palgrave Macmillan, pp. 225-244.
https://link.springer.com/chapter/10.1007/978-981-16-5293-6_10 Technological Art and the Borders of Sexuality and Gender in Taiwan: A Case Study of Pey-Chwen Lin
Turner, Ming (2021). ‘Technological Art and the Borders of Sexuality and Gender in Taiwan: A Case Study of Pey-Chwen Lin’ in Gladston, Paul, Beccy Kennedy-Schtyk and Ming Turner (eds.) Visual Culture Wars at the Borders of Contemporary China: Art, Design, Film, New Media and the Prospects of ‘Post-West’ Contemporaneity. London: Palgrave Macmillan, pp. 225-244.
https://link.springer.com/chapter/10.1007/978-981-16-5293-6_10 Technological Art and the Borders of Sexuality and Gender in Taiwan: A Case Study of Pey-Chwen Lin
12.09.2021
Pey-Chwen Lin’s work”Making of Eve Clone II” is invited to participate the “Ars Electronica 2021: Garden Hong 2021 “Ars Electronica 2021: Garden Hong Kong – Art in the Cloud “ Exhibition in Osage Gallery and on line program at Linz/Hong Kong on 12th-17 Sep, 2021
Facebook : AEgardenHONGKONG Instagram : aegardenhk/ hkgardens.com Hong Kong Garden Website : hkgardens.com
Pey-Chwen Lin’s work”Making of Eve Clone II” is invited to participate the “Ars Electronica 2021: Garden Hong 2021 “Ars Electronica 2021: Garden Hong Kong – Art in the Cloud “ Exhibition in Osage Gallery and on line program at Linz/Hong Kong on 12th-17 Sep, 2021
Facebook : AEgardenHONGKONG Instagram : aegardenhk/ hkgardens.com Hong Kong Garden Website : hkgardens.com
12.09.2020
Pey-Chwen Lin, Chin-Shiang Hu, Sheng-Chieh Wang, Bin-Wha Thai
Artists : Pey-Chwen Lin, Chin-Shiang Hu, Sheng-Chieh Wang, Bin-Wha Thai Dates : 2020.09.12-2020.11.01 Opening : Venue: B.B.Art No.48, Sec. 2, Minquan Rd. West Central Dist., Tainan City 700017,Taiwan
Pey-Chwen Lin, Chin-Shiang Hu, Sheng-Chieh Wang, Bin-Wha Thai
Artists : Pey-Chwen Lin, Chin-Shiang Hu, Sheng-Chieh Wang, Bin-Wha Thai Dates : 2020.09.12-2020.11.01 Opening : Venue: B.B.Art No.48, Sec. 2, Minquan Rd. West Central Dist., Tainan City 700017,Taiwan
10.09.2020
Revelation of Eve Clone : Lin Pey-Chwen Digital Art Lab Exhibition
Artist:Pey-Chwen Lin Curator:Ming Turner Place:Gallery K – Gallery L, Tainan Art Museum Building 2 Organizer: Tainan Art Museum Special Thanks to B.B.ART, Yiiisu Co., Ltd., Cmie Design, Chin-Hsiang Hu, Sheng-Chieh Wang
Revelation of Eve Clone : Lin Pey-Chwen Digital Art Lab Exhibition
Artist:Pey-Chwen Lin Curator:Ming Turner Place:Gallery K – Gallery L, Tainan Art Museum Building 2 Organizer: Tainan Art Museum Special Thanks to B.B.ART, Yiiisu Co., Ltd., Cmie Design, Chin-Hsiang Hu, Sheng-Chieh Wang
18.01.2020
2020 Body Manifestation : Pey-Chwen Lin Solo Exhibition Body Manifestation : Pey-Chwen Lin Solo Exhibition”, Da Xiang Art Space, Taichung, Taiwan
Curator:Dr. Ming Turner Exhibition time:2020/1/18-3/8 Opening Symposium:2/1 (Saturday) 15:00 Panel Discussion:Dr. Andrew Pai, Dr. Jane Tseng, Dr.Pey-Chwen Lin. Dr. Ming Turner
2020 Body Manifestation : Pey-Chwen Lin Solo Exhibition Body Manifestation : Pey-Chwen Lin Solo Exhibition”, Da Xiang Art Space, Taichung, Taiwan
Curator:Dr. Ming Turner Exhibition time:2020/1/18-3/8 Opening Symposium:2/1 (Saturday) 15:00 Panel Discussion:Dr. Andrew Pai, Dr. Jane Tseng, Dr.Pey-Chwen Lin. Dr. Ming Turner
20.11.2019
Lin Pey-Chwen - First Prize in the New Media Art Category at 2019 Florence Biennale in Italy
Pey-Chwen Lin’s digital audio and video installation ?Making of Eve Clone l?awarded the first prize in the new media art category at the 2019 Florence Biennale in Italy. Congratulations!
Lin Pey-Chwen - First Prize in the New Media Art Category at 2019 Florence Biennale in Italy
Pey-Chwen Lin’s digital audio and video installation ?Making of Eve Clone l?awarded the first prize in the new media art category at the 2019 Florence Biennale in Italy. Congratulations!
01.01.2019
Catalog of Pey-Chwen Lin:Making of Eve Clone, Italy XII Florence Biennale, B.B.ART/Taiwanese American Arts Council?Taiwan/USA, 2019?won the First Prize of New Media Art in 2019 Italy XII Florence Biennale of International Award “Lorenzo I’ll Magnifico”?
https://www.academia.edu/81607930/Catalog_of_Pey_Chwen_Lin_Making_of_Eve_Clone_Italy_XII_Florence_Biennale_B_B_ART_Taiwanese_American_Arts_Council_Taiwan_USA_2019_won_the_First_Prize_of_New_Media_Art_in_2019_Italy_XII_Florence_Biennale_of_International_Award_Lorenzo_I_ll_Magnifico_ Catalog of Pey-Chwen Lin:Making of Eve Clone, Italy XII Florence Biennale, B.B.ART/Taiwanese American Arts Council?Taiwan/USA, 2019?won the First Prize of New Media Art in 2019 Italy XII Florence Biennale of International Award “Lorenzo I’ll Magnifico”?
Catalog of Pey-Chwen Lin:Making of Eve Clone, Italy XII Florence Biennale, B.B.ART/Taiwanese American Arts Council?Taiwan/USA, 2019?won the First Prize of New Media Art in 2019 Italy XII Florence Biennale of International Award “Lorenzo I’ll Magnifico”?
https://www.academia.edu/81607930/Catalog_of_Pey_Chwen_Lin_Making_of_Eve_Clone_Italy_XII_Florence_Biennale_B_B_ART_Taiwanese_American_Arts_Council_Taiwan_USA_2019_won_the_First_Prize_of_New_Media_Art_in_2019_Italy_XII_Florence_Biennale_of_International_Award_Lorenzo_I_ll_Magnifico_ Catalog of Pey-Chwen Lin:Making of Eve Clone, Italy XII Florence Biennale, B.B.ART/Taiwanese American Arts Council?Taiwan/USA, 2019?won the First Prize of New Media Art in 2019 Italy XII Florence Biennale of International Award “Lorenzo I’ll Magnifico”?
Exhibitions & Events
2020
Exhibition :
Publications & References
Ming Turner. »Ming Turner,Quasi-skin and Cyberfeminism: 2020 Eve Clone Series by Pey-Chwen Lin.« Quasi-skin and Cyberfeminism: 2020 Eve Clone Series by Pey-Chwen Lin (2020).
Pey-Chwen Lin. »Confronting the corrupted powers aiming to destroy the Holy Mountain and City, Pey-Chwen Lin,Reading the 2020 “Eve Clone Revelation- Pey-Chwen Lin + Digital Art Lab Exhibition”, Tainan Art Museum.« Reading the 2020 “Eve Clone Revelation- Pey-Chwen Lin + Digital Art Lab Exhibition”, Tainan Art Museum (2020).
Pey-Chwen Lin. »Post-human Body and Cybersexuality: Pey-Chwen Lin and the Eve Clone series.« Post-human Body and Cybersexuality: Pey-Chwen Lin and the Eve Clone series (2019).
Pey-Chwen Lin. »Eve clone series.« Eve clone series (2019).
Lin Pey-Chwen. »Introduction of “Eve Clone Series “ introduction by Lin Pey-Chwen.« Introduction of “Eve Clone Series “ introduction by Lin Pey-Chwen (2019).
Pey-Chwen Lin. »Pey-Chwen Lin ,《Pey-Chwen Lin Making of Eve Clone》.« 《Pey-Chwen Lin Making of Eve Clone》 (2019).
Fang-Ho Cheng. »Fang-Ho Cheng, “Speaking Subject—Lin Pey-Chwen’s Eve Clone”.« “Speaking Subject—Lin Pey-Chwen’s Eve Clone” (2017).
Chih-Yung Aaron Chiu. »Chih-Yung Aaron Chiu, “God’s Will or Human Desire The Irony and Criticism in Lin Pey-Chwen’s Eve Clone series”.« “God’s Will or Human Desire The Irony and Criticism in Lin Pey-Chwen’s Eve Clone series” (2017).
Dr. Turner, Ming. »Visualizing post-human and cybersexuality: Lin Pey-Chwen and the Eve Clone Series.« East Asian Journal of Popular Culture 2, no. 2 (2016): 227-245.
Cheng-yu, Pan. »The Gaze from the Apocalypse.« Art Accrediting, Kaohsiung Museum of Fine Arts , no. 67 (2016).
Pey-Chwen Lin. »Pey-Chwen Lin, “Revelation ．Notification – Research Solo Exhibition by Lin Pey-Chwen.« “Revelation ．Notification – Research Solo Exhibition by Lin Pey-Chwen (2016).
Chong-Ray Hsiao. »Chong-Ray Hsiao, “God’s Inspiration and Human’s Creation—Lin Pey-Chwen’s Eve Clone Series”.« Chong-Ray Hsiao, “God’s Inspiration and Human’s Creation—Lin Pey-Chwen’s Eve Clone Series” (2016).
Ming Turner. »Ming Turner, “Visualizing post-human and cybersexuality : Lin Pey- Chwen and the Eve Clone series" , East Asian Journal of Popular Culture Vol.2 , No. 2, 2016, page 227-245.« “Visualizing post-human and cybersexuality : Lin Pey- Chwen and the Eve Clone series" , East Asian Journal of Popular Culture Vol.2 , No. 2, 2016, page 227-245 2, no. 2 (2016): 227-245.
Cheng-Yu Pan. »Cheng-Yu Pan, “The Gaze from the Apocalypse”.« “The Gaze from the Apocalypse” (2015).
Fang-Ho, Cheng. »Speaking Subject — Lin Pey- Chwen’s Eve Clone.« Artist Magazine (2014): 404-407.
Kuang-ying Kuo, Gwen. »From Pupa to Eve Clone: Lin Pey-Chwen Empowering Feminity.« Taiwan Digital Art and Information Center (2014).
Hsiao-chiu, Lai. »Revelation -Notification: Research Solo Exhibitionby Lin Pey-Chwen.« http://www.linpeychwen.org/wp-content/uploads/2013/09/Revelation-Notification.pdf.
Dr. Turner, Ming. »Quasi-skin and post-human: Lin Pey-Chwen´s Eve Clones (2010-2011).« n.paradoxa international feminist art journal 30 (2012): 33-39.
Chih-Yung Aaron Chiu. »Chih-Yung Aaron Chiu, “Eve Clone Series Critiques and Satirizes the Creations of the Technological Age”.« “Eve Clone Series Critiques and Satirizes the Creations of the Technological Age” (2012).
Luchia Meihua Lee and Ken Howell. »Luchia Meihua Lee and Ken Howell, “A Clarifying Aspect of the Recreation of Nature: Sence of Peychwen’s Artificial Nature”.« “A Clarifying Aspect of the Recreation of Nature: Sence of Peychwen’s Artificial Nature” (2012).
Hongjohn, Lin. »Interpassivity within a Clone.« Artist Magazine (September 2011): 410-411.
Tseng, Jane. »The Birth of Eve Clone - Technological Satire of a Genetic Reproduction Laboratory.« Art Appreciation (2011): 61-63.
Yeh, C. J.. »Is Life Beautiful? On Lin Pey-Chwen´s Anti-Tech Tech Art.« Ming Chuan - Magazine (2011): 53-56.
Hongjohn Lin. »Hongjohn Lin, “Interpassivity within a Clone”.« “Interpassivity within a Clone” (2011).
Chieh-Hsiang Wu. »Chieh-Hsiang Wu, “The Transgressions of Aesthetics: Lin Pey Chwen Eve Clone Series”.« “The Transgressions of Aesthetics: Lin Pey Chwen Eve Clone Series” (2011).
Pierre Martin. »Pierre Martin, “Lin Pey Chwen Installation Catching at MOCA Taipei: an Installation wortg experiencing”.« “Lin Pey Chwen Installation Catching at MOCA Taipei: an Installation wortg experiencing” (2011).
Chih-Yung, Chiu. »God’s Will or Human Desire: The Irony and Criticism in Lin Pey-Chwen’s Eve Clone series.« https://www.academia.edu/37253134/God_s_Will_or_Human_Desire_The_Irony_and_Criticism_in_Lin_Pey-Chwen_s_Eve_Clone_series.docx.
Ming Turner. »Ming Turner, “Quasi-skin and Post-religion: Lin Pey Chwen’s Eve Clone series, 2010-11”.« “Quasi-skin and Post-religion: Lin Pey Chwen’s Eve Clone series, 2010-11” (2010).
Susana Pérez Tort. »Susana Pérez Tort, “Pey Chwen Lin—The Portrait of Eve Clone”.« “Pey Chwen Lin—The Portrait of Eve Clone” (2010).
Susana Pérez Tort. »Susana Pérez Tort, “Multimedia Semiotics of two works of art”.« “Multimedia Semiotics of two works of art” (2010).
Susana Pérez Tort. »Susana Pérez Tort, “Semiótica de dos obras Multimediales”.« “Semiótica de dos obras Multimediales” (2010).
Li-chn Lin. »Li-chn Lin, “ Tao and Tech—Reflection on Viewing Lin Pey Chwen’s Exhibition”.« “ Tao and Tech—Reflection on Viewing Lin Pey Chwen’s Exhibition” (2004).
Antoanetta Ivanova. »Antoanetta Ivanova, “Alien Beauties: the haunting world of Pey Chwen Lin’s Eve-Clones”.« “Alien Beauties: the haunting world of Pey Chwen Lin’s Eve-Clones” (2000).
Jane Tseng. »Jane Tseng, “The Birth of Eve Clone – Technological Satire of a Genetic Reproduction Laboratory”.« “The Birth of Eve Clone – Technological Satire of a Genetic Reproduction Laboratory” (1999).
Gwen Kuan-ying Kuo. »Gwen Kuan-ying Kuo, “From Pupa to Eve Clone: Lin Pey-Chwen Empowering Femininity”.« “From Pupa to Eve Clone: Lin Pey-Chwen Empowering Femininity” (1993).