* 2004
http://www.goldinsenneby.com/gs/?page_id=3
About
Goldin+Senneby (since 2004) is a framework for collaboration set up by artists Simon Goldin and Jakob Senneby; exploring juridical, financial and spatial constructs through notions of the performative and the virtual. Their collaboration started with The Port (2004-06); acting in an emerging public sphere constructed through digital code. In their more recent body of work, known as Headless (2007 -), they approach the sphere of offshore finance, and its production of virtual space through legal code. Looking at strategies of withdrawal and secrecy, they trace an offshore company on the Bahamas called Headless Ltd. A ghostwritten detective novel continuously narrates their investigations.
Solo exhibitions: ‘The Decapitation of Money’, Kadist Art Foundation, Paris (2010); ‘Headless. From the public record’, Index, Stockholm (2009); ‘Goldin+Senneby: Headless’, The Power Plant, Toronto (2008). Recent group exhibitions include: ‘The Moderna Exhibition’, Moderna Museet, Stockholm (2010); ‘Uneven Geographies’, Nottingham Contemporary (2010); ‘In living contact’, 28:th Bienal de Sao Paulo (2008). Residencies include: Kadist, Paris (2010); Gasworks, London (2008); IASPIS, Stockholm (2007).
Solo exhibitions: ‘The Decapitation of Money’, Kadist Art Foundation, Paris (2010); ‘Headless. From the public record’, Index, Stockholm (2009); ‘Goldin+Senneby: Headless’, The Power Plant, Toronto (2008). Recent group exhibitions include: ‘The Moderna Exhibition’, Moderna Museet, Stockholm (2010); ‘Uneven Geographies’, Nottingham Contemporary (2010); ‘In living contact’, 28:th Bienal de Sao Paulo (2008). Residencies include: Kadist, Paris (2010); Gasworks, London (2008); IASPIS, Stockholm (2007).
CV
2010 - 2010 Hydrarchy, curated by Anna Colin & Mia Jankowicz, Gasworks, London
2010 Abstract Possible, curated by Maria Lind, Malmö Konsthall, Malmö
2010 Map Marathon, Curated by Hans Ulrich Obrist, Serpentine Gallery, London
2010 The Moderna Exhibition, Moderna Museet, Stockholm
2010 Un exposition (du) sensible, curated by Mathieu Copeland, Centre d’art contemporain la Synagogue de Delme
2010 Uneven geographies, curated by Alex Farquharson & T.J. Demos, Nottingham Contemprary, Nottingham
2010 Bucharest Biennale 4, curated by Felix Vogel, Bucharest
2010 Les Ateliers de Rennes, curated by Raphaële Jeune, Rennes
Works
- »After Microsoft« 2007
- »Flack Attack« 2005
- »The Port« 2005
News
Exhibitions & Events
Publications & References
Kollak, Ginny. »True Lies, Tired Hedonists.« Alphabet Prime 1 (Fall 2009): 25-28.
Cameron, Angus. »Les artistes 100 tetes: Multitext, Xenomoney, Xenospace.« .
Einarrson, Kim. »Nameless Acting.« Geist (methodology issue) (May 2008).
Rossmann, Karl. »Welcome to Who Makes and Owns Your Work!.« .
Rehn, Alf. »A Time of Their Own: Curating the Corporate Event.« museumuseu newsletter 2, There is time in the museum 2 (2007).
Goldin+Senneby. »Enclosure and Enthusiasm.« UKS Forum for Samtidskunst 3/4 (2006).
Kollak, Ginny. »True Lies, Tired Hedonists.« Alphabet Prime 1 (Fall 2009): 25-28.
Cameron, Angus. »Les artistes 100 tetes: Multitext, Xenomoney, Xenospace.« .
Einarrson, Kim. »Nameless Acting.« Geist (methodology issue) (May 2008).
Rossmann, Karl. »Welcome to Who Makes and Owns Your Work!.« .
Rehn, Alf. »A Time of Their Own: Curating the Corporate Event.« museumuseu newsletter 2, There is time in the museum 2 (2007).
Goldin+Senneby. »Enclosure and Enthusiasm.« UKS Forum for Samtidskunst 3/4 (2006).