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»Conclusive Evidence«
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Keywords

  • aesthetics
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    • ephemeral
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    • generative
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    • hypermediacy
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    • mobile
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        • Auditory User Interface (AUI)
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        • bike
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        • Audiotape
        • keyboard
        • microphone
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        • RFID (Radio-frequency Identification)
        • Speech Recognition
        • syntheziser
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      • virtual balance
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      • C++
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      • Global Positioning System (GPS)
      • ISDN
      • Java
      • Linux
      • Optical Character Recognition (OCR)
      • periscope
      • PHP
      • RFID (Radio-frequency Identification)
      • robotic interfaces
      • SGI Onyx2
      • softimage
      • software interface
      • Video
      • VRML
      • Wireless Sensor Network (WSN)
      • XML
2328
Information
Cite
X
Archive of Digital Art (ADA). “Olga Kisseleva - »Conclusive Evidence«”. https://www.digitalartarchive.at/database/general/work/conclusive-evidence.html (retrieved 2010-04-11). @online{ADAartistprofile, author = {Archive of Digital Art (ADA)}, title = {Olga Kisseleva - »Conclusive Evidence«}, url = {https://www.digitalartarchive.at/database/general/work/conclusive-evidence.html}, urldate = {retrieved 2010-04-11}
Technology
Installation Requirements / Space
conclusive evidence

video, sculpture, photos and light installation
Descriptions & Essays
Conclusive Evidence is the title of one of Vladimir Nabokov's novels, which deals with his experience of emigration. In the Russian version, which appeared a few years later, the same novel was called Other Shores. This play on the titles is all the more pertinent when related to the artist's idea of demonstrating that the distance between two points situated at antipodes is close to zero. To illustrate such "moments of cosmic synchronization" described by Nabokov in "Conclusive evidence", Olga Kisseleva chose the shores of Marseilles and of Vladivostok. The artist's equations on gravitation allowed for Marseilles and Vladivostok to communicate at the speed of light, disrupting our physical and mental apprehension of the world and introducing the notion of an "in-between". >>thanks to Pierre Uhrich, SYRTE laboratory, CNRS – Observatoire de Paris Roger Malina, Laboratory of Astrophysics, CNRS, Marseille >>shows Conclusive Evidence, Dukan & Hourdequin gallery, Marseille, France, carte blanche by Alexandra Fau, and ARKA Gallery, Vladivostok, Russia, 2007 (solo show)
Literature
Moscow Museum of Modern Art, ed. The History of Gender and Art in Post-Soviet Space. Moscow: MMOMA, 2010.
Groys Boris and Degot Ekaterina and Riff David and Costinas Cosmin. Shockworkers of the Mobile Image - Catalog. Ekaterinburg: 1st Ural Industrial Biennial of Contemporary Art, 2010.
Kisseleva, Olga. Indomitable Women. Barcelona, ES: Video Art World, 2010.
Zhukova, Daria and Herve Mikaeloff and Dimitri et. al. Ozerkov. Futurologia. Moscow, Russia: CCC Garage, 2010.
Kisseleva, Olga, ed. Divers fait. Paris: Jannink Editions, 2010.
Kisseleva, Olga. INTER-ESSAI: Oeuvre en dialogue. Saarbrücken: Editions Universitaires Europeenes, 2010.
Kisseleva, Olga and Oliver Grau. »Theory and Practice of Media Art: Aesthetic Parergons and Perspectives.« In First Post Industrial Contemporary Art Biennale, edited by NCCA. Ekaterinburg: NCCA, 2010.
Kisseleva, Olga. »Still Life as a Dictionary.« In Conference at Art Bruxelles, edited by . Brussels: 2010.
Kisseleva, Olga and Elena Sorakina and Natasa Petresin-Bachelez. »Communism´s Afterlives: Part II.« In Proceedings of the Conference Communism's Afterlife, edited by . Brussels: The Public School, 2010.
Kisseleva, Olga. »To be here and there: General Relativity and Quantum Physics.« In PLASTK Art and Science 1, Université Paris 1, Panthéon-Sorbonne, edited by Olga Kisseleva. Paris: Université de Paris I, Panthéon-Sorbonne, 2010.