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»Cyberflower«
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Keywords

  • aesthetics
    • acoustic
    • affective
    • anamorphic
    • animated
    • anthropomorph
    • assembled
    • automated
    • autopoietic
    • collaborative
    • contextual
    • cybernetic
    • disgusting
    • documenting
    • duplicated
    • dynamic system
    • ephemeral
    • experimental
    • found object
    • generative
    • gustatory
    • hypermediacy
    • illusionary
    • immaterial
    • immersive
    • installation-based
    • interactive
    • intermedial
    • intervention
    • mobile
    • modular
    • multi-user
    • multiple
    • narrative
    • navigable
    • networked
    • olfactory
    • panoramatic
    • performative
    • polysensory
    • processual
    • projected
    • real-time
    • remediated
    • remixed
    • sculptural
    • site-specific
    • sonification
    • sublime
    • tactile
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    • three-dimensional
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    • virtual
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  • genre
    • Bio Art
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        • body
        • Book
        • easel painting
        • globe
        • house wall
        • inflatable structure
        • mirror
        • paper
        • sculpture
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        • sofa
        • Somatosensory System / Tactile Feedback Technology
        • table
    • Hardware
      • camera
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      • MAC
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      • multi touchscreen
      • plotter
      • scanner
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      • Video
      • Virtual Workbench
      • Virtuscope
      • webcam
    • Interface
      • Automatic Identification and Data Capture (AIDC)
      • biometrics
      • Body sensor
        • Body Tracking
        • brainwave sensor/brain-computer-interface
        • breathing sensor
        • Breathing-Balance-Interface-Vest
        • Endoscope
        • eye scanner
        • facial recognition system
        • Motion Capture
        • positiontracker
        • retina scanner
        • Speech Recognition
        • step sensor
      • camera recording
      • electromagnetism
      • interactive media
        • Auditory User Interface (AUI)
        • Augmented Reality Interfaces
        • breath based communication
        • Internet of Things (IoT)
        • Ludic Interface
        • MR-based (Mixed Reality) Interaction
        • Multi-Modal Interaction
        • tactile user interfaces
        • Tangible Acoustic Interface
        • Tangible User Interface (TUI)
        • Voice User interface
      • Non-electronic interface
        • bike
        • doll
        • furniture
        • plant
      • Soundgenerating device
        • Audiotape
        • keyboard
        • microphone
        • musical instrument
        • RFID (Radio-frequency Identification)
        • Speech Recognition
        • syntheziser
        • telephone
        • Theremin
        • turntable
        • voice analysis
        • Voice User Interface (VUI)
      • virtual balance
    • Software
      • C++
      • CGI/Perl
      • CSS
      • Global Positioning System (GPS)
      • ISDN
      • Java
      • Linux
      • Optical Character Recognition (OCR)
      • periscope
      • PHP
      • RFID (Radio-frequency Identification)
      • robotic interfaces
      • SGI Onyx2
      • softimage
      • software interface
      • Video
      • VRML
      • Wireless Sensor Network (WSN)
      • XML
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Information
Cite
X
Archive of Digital Art (ADA). “Roman Verostko - »Cyberflower«”. https://www.digitalartarchive.at/database/general/work/cyberflower.html (retrieved 2010-11-10). @online{ADAartistprofile, author = {Archive of Digital Art (ADA)}, title = {Roman Verostko - »Cyberflower«}, url = {https://www.digitalartarchive.at/database/general/work/cyberflower.html}, urldate = {retrieved 2010-11-10}
Technology
Software
Some years ago an artist colleague entered Verostko's studio and saw his algorithmic pen plots for the first time. Spontaneously and with some gusto, he exclaimed "Computer flowers!". Since then the algorists of the late 20th Century have been generating a cyber landscape with many faces . Verostko believes we have seen only the tip of a huge continent of unbelievable dimension, a marvelous world of form to be explored and enjoyed in the 21st Century. These cyberflowers, harvested from this new world, are several of his best at the turn of the Century.

The algorithm driving this series generates its curvilinear procedures from a single set of coordinates. Algorithmic improvisations based on a single set of coordinates introduce a self similarity that permeates the form on several levels.
Descriptions & Essays
Cyberflower IV, 4. 29" by 23", 2000. Algorithmic pen and ink drawing on paper with artist's studio seal in red. The seal characters read "Little Path Studio" for "Pathway Studio" “Cyberflowers” son flores digitales cosechadas desde el universo virtual generadas a partir de variaciones de trayectoria de líneas curvas empezando desde un mismo conjunto de coordenadas. Este mundo virtual y sus habitantes digitales están todavía inexplorados, pero ya es claro que es desde este espacio que llegará, para un renovado placer estético, la cultura visual del futuro. Notes: Some years ago an artist colleague entered Verostko's studio and saw his algorithmic pen plots for the first time. Spontaneously and with some gusto, he exclaimed "Computer flowers!". Since then the algorists of the late 20th Century have been generating a cyber landscape with many faces . Verostko believes we have seen only the tip of a huge continent of unbelievable dimension, a marvelous world of form to be explored and enjoyed in the 21st Century. These cyberflowers, harvested from this new world, are several of his best at the turn of the Century. The algorithm driving this series generates its curvilinear procedures from a single set of coordinates. Algorithmic improvisations based on a single set of coordinates introduce a self similarity that permeates the form on several levels. 18. Cyberflower I. 3, 2000 29" by 23" Pen plotted drawing 19. Cyberflower IV. 1, 2000 29" by 23" Pen plotted drawing 20. Cyberflower V. 1, 2000 29" by 23" Pen plotted drawing
Literature
Exhibitions & Events