»DesConcerto« 
Light Box
Light Box
© Simone Michelin; Wilton Montenegro.; project developed in the intersection of visual arts and music.
It was created for the series Music, Technology and Multimedia, presented at Cultural Space Sérgio Porto, in September, 11th 2003.
Keywords
Information
Simone Michelin >
»DesConcerto«, 2003 - 2003
Co-Workers & Funding:
Dynamic of the System, script, videos – Simone MichelinArgument, music - Vania Dantas Leite
Real time processing of images – Elaine Tomazzi Freitas
Funding: RIOARTE
https://vimeo.com/547207594
Technology
Hardware
video projection; video monitors; MacOs system; video cameras; microphonesInstallation Requirements / Space
3 video screens (4x3m each); 5 TV sets 22"; 29"Software
MAX MSP; Jitter
Descriptions & Essays
Dynamic of the System, script, videos Simone Michelin Argument, music - Vania Dantas Leite
Real time processing of images Elaine Tomazzi Freitas
DesConcerto (disconcert) is a project developed in the intersection of visual arts and music. It was created for the series Music, Technology and Multimedia, presented at Cultural Space Sérgio Porto, in September, 11th 2003. For this project I designed a dynamic system that operates as meta-language in relation to the structure of a concert¹ in terms of its public, the places were it usually happens, official versus non-official circuits. It investigates how the places are shaped by their use and how this influences people¹s behavior. The idea was to bring the streets inside the theater and vice-versa and to provoke collapses of time and space. Three layers of time were put together in the same space of the cultural center: the real time of the event, the same place in a concert one week before and takes from the cities of New York and London in 1998 and 1999. All the ground level area of the cultural center was occupied by the proposition. At the entrance door, outside facing the street, loud-speakers spread the sound produced inside the theater. At the hall and at the bar TV monitors showed the images processed inside the theater and thare was a camera nad microphones to capture sound and image to feed the system. In the theater 4 video-projections mixed real-time images with pre-recorded ones creating a fluid architecture inhabited by other publics as well as by the public of the event. In the small gallery a compacted structure underlines the main concept of DesConcerto: the tiny line that separates spectacle and real life in contemporaneity. It was a place to be seen in movement. It could also be thought of as expanded-cinema (Weibel, Shaw). The narrative shows people in transit in the cities, the streets, the subways, always walking, in lines, which from time to time stop to listen to some music or to see musicians playing in the streets. It starts with a public concert of Philip Glass, an African musician in the old square of the World Trade Center, followed by a presentation of natives from South Dakota. From this nucleous the story fragments in several micro events. I called "Art is the center of the real world" to the video material produced for DesConcerto.
(Source: Homepage S. Michelin)
Literature
GARCIA, Iliana Hernández and Edmond Couchot and Simone Michelin and et al., ed. Estética, Ciência y Tecnología, creaciones electrónicas y numéricas.. Bogotá: Editorial Pontifícia Universidad Javeriana, 2005.
Michelin, Simone. »Portfólio, DesConcerto..« ECO-Pós “Televisão, produção, programação, recepção” v.7, no. n.1 (Jan-July 2004): 127- 133.
Exhibitions & Events