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»Glories of Accounting«

© Lozano-Hemmer; Lozano-Hemmer

Keywords

  • aesthetics
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    • generative
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    • hypermediacy
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    • immersive
    • installation-based
    • interactive
    • intermedial
    • intervention
    • mobile
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    • multi-user
    • multiple
    • narrative
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    • performative
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    • projected
    • real-time
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        • bike
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        • Audiotape
        • keyboard
        • microphone
        • musical instrument
        • RFID (Radio-frequency Identification)
        • Speech Recognition
        • syntheziser
        • telephone
        • Theremin
        • turntable
        • voice analysis
        • Voice User Interface (VUI)
      • virtual balance
    • Software
      • C++
      • CGI/Perl
      • CSS
      • Global Positioning System (GPS)
      • ISDN
      • Java
      • Linux
      • Optical Character Recognition (OCR)
      • periscope
      • PHP
      • RFID (Radio-frequency Identification)
      • robotic interfaces
      • SGI Onyx2
      • softimage
      • software interface
      • Video
      • VRML
      • Wireless Sensor Network (WSN)
      • XML
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Information
Cite
X
Archive of Digital Art (ADA). “Rafael Lozano-Hemmer - »Glories of Accounting«”. https://www.digitalartarchive.at/database/general/work/glories-of-accounting.html (retrieved 2010-08-11). @online{ADAartistprofile, author = {Archive of Digital Art (ADA)}, title = {Rafael Lozano-Hemmer - »Glories of Accounting«}, url = {https://www.digitalartarchive.at/database/general/work/glories-of-accounting.html}, urldate = {retrieved 2010-08-11}
Technology
Display
Year of Creation: 2005
Technique: Plasma screen or rear-projection, computer vision tracking system.
Dimensions: Variable dimensions. Edition: 5 copies + 1 AP.
Keywords: indoor, interactive, projection, tracker.
Collections: McEwan Family Collection and private collectors.
Descriptions & Essays
Glories of Accounting is an interactive installation with a surveillance system that detects the position of the public in the exhibition room. When someone walks into the room, large hands appear on the screen automatically. The hands rotate along their forearm axis, following the visitor with the open palms always facing him or her. As more people enter the room, more hands appear and each follows a member of the public. Ultimately the piece is a visualization of electronic detection, using a metaphor that signifies both distance (as in a “stop” gesture) and inclusion (as in the expression “show of hands”). (Photos by Antimodular Research)
Literature