»How do you translate a text that is not a text? How do you perform a score that is not a score?« 
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»How do you translate a text that is not a text? How do you perform a score that is not a score?«, 2013
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Anna Bogensperger 27-05-2015
During his month-long residency at Townhouse Gallery, Cairo, Warren Neidich made a series of graphic, abstract musical scores, called graphic scores, that used images instead of notes, based upon found newspaper clippings and bits of text. This material formed a fragmented archive of the recent political events occurring in Cairo branded The Egyptian Spring. These materials are then transferred upon musical staffs with scotch tape, producing a paradoxical and hybrid drawing/score.
These musical staffs become a support system upon which disjointed images and colors are activated. Twenty-two Cairo-based musicians (spanning from classical oud and tabla players to electronic sound artists) were invited to the First Floor Gallery to read and react to these images and texts in an improvisational manner, leading to similarly abstracted, experimental live performances.
Participating performers: Hashem Aly, Yvonne Buchheim, Bahaa El-Ansary, Omar El-Deeb, Ahmed Safi El Din, Mahmoud El Saghir, Nadah El Shazly, Shahir Eschander, Mohamed Abdelfattah Ibrahim, Ashiq Khondker Wael Leheta, Ayman Mabrouk, Adam Miller, Amr Mohamed, Koen Nutters, Mohamed Refaat, Michelle Rounds, Alaa Hussein Saber, Ibrahim Salah, Hassam Shehata, Mahmoud Tarik, Esam Abdelhamid, John Verlenden, Robert Williams, Hassan Zaky, Khaled Kaddal, Ayman Asfour (Source: warrenneidich.com).
Anna Bogensperger: How do you translate a text that is not a text? How do you perform a score that is not a score?, 27-05-2015, in: Archive of Digital Art During his month-long residency at Townhouse Gallery, Cairo, Warren Neidich made a series of graphic, abstract musical scores, called graphic scores, that used images instead of notes, based upon found newspaper clippings and bits of text. This material formed a fragmented archive of the recent political events occurring in Cairo branded The Egyptian Spring. These materials are then transferred upon musical staffs with scotch tape, producing a paradoxical and hybrid drawing/score.
These musical staffs become a support system upon which disjointed images and colors are activated. Twenty-two Cairo-based musicians (spanning from classical oud and tabla players to electronic sound artists) were invited to the First Floor Gallery to read and react to these images and texts in an improvisational manner, leading to similarly abstracted, experimental live performances.
Participating performers: Hashem Aly, Yvonne Buchheim, Bahaa El-Ansary, Omar El-Deeb, Ahmed Safi El Din, Mahmoud El Saghir, Nadah El Shazly, Shahir Eschander, Mohamed Abdelfattah Ibrahim, Ashiq Khondker Wael Leheta, Ayman Mabrouk, Adam Miller, Amr Mohamed, Koen Nutters, Mohamed Refaat, Michelle Rounds, Alaa Hussein Saber, Ibrahim Salah, Hassam Shehata, Mahmoud Tarik, Esam Abdelhamid, John Verlenden, Robert Williams, Hassan Zaky, Khaled Kaddal, Ayman Asfour (Source: warrenneidich.com).
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