»In Ninth Heaven or The Far End of Europe«
Light Box

Keywords
Information
Sylvia Eckermann >
»In Ninth Heaven or The Far End of Europe«, 2008 - 2009
Co-Workers & Funding:
— An Interactive Synthetic Scape by Sylvia EckermannInstallation at the Museum Stein Minoritenplatz 4, 3504 Krems-Stein AT, curated by Dieter Buchhart
Composition and spatial acoustics: Peter Szely
Artistic Research: Gerald Nestler
Doron Goldfarb : programming
Josef Wienerroither : additional 3D-objects
Eduard Wildner, Frederc Lion: voiceover
supported by: Land Niederösterreich, SKE austromechana, BOSE GesmbH
http://syl-eckermann.net/imneuntenhimmel/indexE.html
Technology
Installation Requirements / Space
3D-realtime system, projection, 5 channel audio system, golden mirrors, interface, acrylic glass pillar, computer, 400 x 400 x 250.
Descriptions & Essays
Sylvia Eckermann 28-04-2015
Fluctuating between the worlds of early Baroque and late Ming/early Qing eras, the project explores a rather brief yet multi-faceted period of enlightened dialogue between Europe and China. Although characterised by a respectful scientific exchange, it took place in a world that was troubled by the Thirty Years' War, Inquisition and Counter-Reformation on the one side, and by the insurgences during the turnover of the dynasties on the other...
Sylvia Eckermann: In Ninth Heaven or The Far End of Europe, 28-04-2015, in: Archive of Digital Art Fluctuating between the worlds of early Baroque and late Ming/early Qing eras, the project explores a rather brief yet multi-faceted period of enlightened dialogue between Europe and China. Although characterised by a respectful scientific exchange, it took place in a world that was troubled by the Thirty Years' War, Inquisition and Counter-Reformation on the one side, and by the insurgences during the turnover of the dynasties on the other...
Literature
Exhibitions & Events