»Making of Eve Clone VP 1-6« 
Light Box
Light Box
© https://linpeychwen.com/making-of-eve-clone-vp-1-6/; Media: 3D Animation, Hand Drawing, Acrylic Plate
Size:105 x 74.6cm x 2
Year: 2020
Keywords
Information
Lin Pey-Chwen >
»Making of Eve Clone VP 1-6«, 2020 - 2020
Co-Workers & Funding:
Sheng-Chieh Wang / Lin Pey-Chwen Digital Art Labhttps://linpeychwen.com/making-of-eve-clone-vp-1-6/
Technology
Display
Media: 3D Animation, Hand Drawing, Acrylic PlateSize:105 x 74.6cm x 2
Year: 2020
Descriptions & Essays
pey-Chwen Lin 12-11-2021
This series prints show six wire-framed body images of “Eve Clone” in six angles excerpted from the video of “Making of Eve Clone I”. Also, the texts about the “Great Image” were taken from the “Book of Daniel” of Bible to show the identity and ultimate fate of “Eve Clone”.
The antithesis of images and texts in this series emphasizes the white prototype of “Eve Clone” body created in computer space. Besides the perfect body shape of “Eve Clone” in golden ratio, the number of the beast 666 is marked upon her forehead and right hand. Therefore, images of different parts of “Eve Clone”, such as head, chest, belly, legs, and feet are contrasted to the texts taken from the chapters written about “Great Image” in the Book of Daniel. The bold texts on the right which looks like headlines of a poster is contrasted to the bodily image on the left, clearly referring the identity and meaning of “Eve Clone”. The acrylic plate is applied as a media.
The hand drawing of numbers and lines are shown on the top of the acrylic plate, not only contrasting with the computer symbols, icons, numbers and graphic on the top and bottom of the prints, but also emphasizing the body ratio and software characteristics of “Eve Clone”.
pey-Chwen Lin: Making of Eve Clone VP 1-6, 12-11-2021, in: Archive of Digital Art This series prints show six wire-framed body images of “Eve Clone” in six angles excerpted from the video of “Making of Eve Clone I”. Also, the texts about the “Great Image” were taken from the “Book of Daniel” of Bible to show the identity and ultimate fate of “Eve Clone”.
The antithesis of images and texts in this series emphasizes the white prototype of “Eve Clone” body created in computer space. Besides the perfect body shape of “Eve Clone” in golden ratio, the number of the beast 666 is marked upon her forehead and right hand. Therefore, images of different parts of “Eve Clone”, such as head, chest, belly, legs, and feet are contrasted to the texts taken from the chapters written about “Great Image” in the Book of Daniel. The bold texts on the right which looks like headlines of a poster is contrasted to the bodily image on the left, clearly referring the identity and meaning of “Eve Clone”. The acrylic plate is applied as a media.
The hand drawing of numbers and lines are shown on the top of the acrylic plate, not only contrasting with the computer symbols, icons, numbers and graphic on the top and bottom of the prints, but also emphasizing the body ratio and software characteristics of “Eve Clone”.
Literature
Dr. Turner, Ming. »Visualizing post-human and cybersexuality: Lin Pey-Chwen and the Eve Clone Series.« East Asian Journal of Popular Culture 2, no. 2 (2016): 227-245.
Kuang-ying Kuo, Gwen. »From Pupa to Eve Clone: Lin Pey-Chwen Empowering Feminity.« Taiwan Digital Art and Information Center (2014).
Tseng, Jane. »The Birth of Eve Clone - Technological Satire of a Genetic Reproduction Laboratory.« Art Appreciation (2011): 61-63.
Chih-Yung, Chiu. »God’s Will or Human Desire: The Irony and Criticism in Lin Pey-Chwen’s Eve Clone series.« https://www.academia.edu/37253134/God_s_Will_or_Human_Desire_The_Irony_and_Criticism_in_Lin_Pey-Chwen_s_Eve_Clone_series.docx.
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