Information
Technology
Material
he device equipped with a camera eye turns his rounds outside the laboratory as a mobile scanner, which is also hit and supervisor. Passion5 is an atmospheric installation
Descriptions & Essays
The intervention of Knowbotic Research includes several, sometimes contradictory levels. On the one hand, it reflects political culture in the early 21st Century, pointing to its limits. mutate to a worker moving recorded chants to mere sound that is emitted by a circular road around the building cleaning machine. In parallel, a micro-engineering of ETH is engaged to bring in the foundry hall itself a controlled flying robot to fly. The device equipped with a camera eye turns his rounds outside the laboratory as a mobile scanner, which is also hit and supervisor. Passion5 is an atmospheric installation that revolves around various forms of passion: the passion of demonstrating in the public space as a form of traditional protesting and the passion of research, represented by a scientist who develops a playful curiosity systems which are well suited for monitoring and optimization security in public areas are suitable.
Literature
Schmidt, Sabine Maria. »be prepared! tiger!.« Article Artist´s Homepage.
Meyer, Eva. »Me as MacGhillie.« In Opaque Presence. Manual of Latent Invisibilities, edited by Andreas Broeckmann and Knowbotic Research. Berlin, Zürich: Diaphenes Verlag, 2010.
Fuller, Matthew. »The Cat Seemed to Think There was Enough of it Now in Sight.« Online Publication on Artist´s Homepage (2010).
Broeckmann, Andreas. »The Naked Bandit in the Theatre of Visibilities. Control, Attention
and Performance in Recent Projects by Knowbotic Research.« Knowbotic Research (online) (2010).
Nechvatal, Joseph. Immersive Ideals / Critical Distances. Saarbrücken: LAP Lambert Academic Publishing, 2009, 2009.
Paul, Christiane. Digital Art. World of Art Series, New York: Thames and Hudson Ltd., 2008.
Popper, Frank. From Technological to Virtual Art. Cambridge, MA: MIT Press, 2006.
krcf. »Transcoding Sovereignty: Naked Bandit/Here, Not Here/White Sovereign.« In Sarai Reader 2005: Bare Acts, edited by Monica Narula and Shuddhabrata Sengupta and Jeebesh Bagchi and Geert Lovink, 111-114. Delhi: Sarai Media Lab, 2005.
Arns, Inke and Jacob Lillemose. »Es arte contemporáneo, imbecil - Comisarios de arte digital para
sacarlos del gueto, a minima.« new media, actual art 13 (2005): 164-175.
krcf. »Knowbotic Research The Dilemma: Naked bandit Transcoding Extra-territorialities,
Floating Sovereignties and Non-publics.« keine genaue Jahresangabe.
Exhibitions & Events