Information
Jeffrey Shaw >
»T_Visionarium«, 2003 - 2008
Co-Workers & Funding:
Project Directors: Neil Brown, Dennis Del Favero, Matthew McGinity, Jeffrey Shaw, Peter WeibelLead Software Engineer: Matthew McGinity
In Cooperation with the Australian Research Council’s Discovery funding scheme and produced by iCinema Centre and ZKM, Karlsruhe.
http://www.epidemic.net/en/art/shaw/proj/icinema/avie/t_visionarium.html
http://www.icinema.unsw.edu.au/projects/t_visionarium/
Technology
Descriptions & Essays
T_Visionarium, by Neil Brown, Dennis Del Favero, Matt McGinity, Jeffrey Shaw, Peter Weibel, is an experimental new media work that offers the means to capture and re-present televisual information, allowing viewers to explore and actively edit a multitude of stories in three dimensions. It was created for the UNSW iCinema Centre's Advanced Interaction and Visualisation Environment (AVIE). For T_Visionarium, 28 hours of digital free-to-air Australian television was captured over a period of one week. This footage was segmented and converted into a large database containing over 20,000 video clips. Each clip was then tagged with descriptors-or metadata-defining its properties. The information encoded includes the gender of the actors, the dominant emotions they are expressing, the pace of the scene, and specific actions such as standing up, lying down, and telephoning. Dismantling the video data in this way breaks down the original linear narrative into components that then become the building blocks for a new kind of interactive television.
Two hundred and fifty video clips are simultaneously displayed and distributed around AVIE's circular screen. Using a special interface the viewer can select, re-arrange and link these video clips at will, composing them into combinations based on relations of gesture and movement. By these means the experience of viewing the television screen is not so much superseded as reformatted, magnified, proliferated and intensified. It is the experience of this new kind of spatial connectivity that gives rise to a revolutionary way of seeing and reconceptualising TV in its aesthetic, physical and semantic dimensions. To use the T_Visionarium apparatus is not to view a screen or even multiple screens, but to experience a space within which screen imagery is dynamically re-formulated and re-imagined. Here, media is not an object of study but a material landscape in which we are component parts. Stripped of its conventional narrative context, the aesthetic, behavioural and media qualities of television become strikingly apparent, and by affording us an active involvement T_Visionarium hones both our awareness of and our dexterity with this media. In essence, it is not so much a tool that delivers control of a mediascape but a mode of inhabiting televisual imagery: a sphere of pure and endless mediality.
Literature
Del Favero, Dennis and Peter Weibel and Jeffrey Shaw. »Towards a Dialogic Concept of Digital Narrative.« In Disappearing Architecture: From Real to Virtual to Quantum, edited by G. Flachbart and Peter Weibel, 144-151. Basel: Birkhauser Verlag, 2005.
Exhibitions & Events