»the puppet(s)« 
Light Box
Light Box
© kondition pluriel; Maison de la Culture Mont-Royal, Montreal, CA, 2006
Keywords
Information
kondition pluriel >
»the puppet(s)«, 2005
Co-Workers & Funding:
Concept: Marie-Claude Poulin, Martin Kusch / Sound environment: Alexandre St-Onge / Performance: Catherine Tardif, Guy Trifiro / Contribution to movement research: Benoît Lachambre, Dominique Porte / Costumes: Louis Hudon / Light design: Éric Belley / Sensor system: Technology Playgroup / Consultation to the software programming: Alexandre Burton / Technical direction: Éric BelleyResidency:
Maison de la culture Plateau Mont-Royal, Montreal
With the support of:
Conseil des arts et des lettres du Québec, Canada Council for the Arts,
Conseil des Arts de Montréal
https://konditionpluriel.org/?artworks=the-puppets-the-body-as-an-interface
Technology
Method
works based on media manipulation by body-data interactive-tactile choreographic installation
Descriptions & Essays
(collective) Kondition Pluriel 31-03-2022
Two dancers, a visual artist and a sound artist, perform live. Performing bodies as an interface between the spectators and the media environment. By manipulating the sensors, spectators can modify certain parameters of the media environment. Participants make artistic choices in a climate of structured improvisation. Tendencies towards dialogue, confrontation, collaboration, domination, or game-playing. Relationships develop between the spectators and the performers. The active spectators become performers themselves.
Find more information about this work under the following links:
https://konditionpluriel.org/?artworks=the-puppets-the-body-as-an-interface&lang=en
https://vimeo.com/315846767
(collective) Kondition Pluriel: the puppet(s), 31-03-2022, in: Archive of Digital Art Two dancers, a visual artist and a sound artist, perform live. Performing bodies as an interface between the spectators and the media environment. By manipulating the sensors, spectators can modify certain parameters of the media environment. Participants make artistic choices in a climate of structured improvisation. Tendencies towards dialogue, confrontation, collaboration, domination, or game-playing. Relationships develop between the spectators and the performers. The active spectators become performers themselves.
Find more information about this work under the following links:
https://konditionpluriel.org/?artworks=the-puppets-the-body-as-an-interface&lang=en
https://vimeo.com/315846767
Literature
Exhibitions & Events