»Theory and Practice of Media Art: Aesthetic Parergons and Perspectives«
Kisseleva, Olga and Oliver Grau. Theory and Practice of Media Art: Aesthetic Parergons and Perspectives In First Post Industrial Contemporary Art Biennale, edited by NCCA. Ekaterinburg: NCCA, 2010.
Within TUTOR project, Olga Kisseleva once more hones in on the mobile phone - the contemporary prosthesis that accompanies us on all our journeys.
In...
For me, as an artist working with software CONSPIRE is first about encoding. As an ex-soviet, I perceive CONSPIRE in the same time like a dissident’s ...
Conclusive Evidence is the title of one of Vladimir Nabokov's novels, which deals with his experience of emigration. In the Russian version, which app...
The digital animation "Conquistadors" examines the tensions and conflicts that define the Russian territory in the age of privatization. The artist re...
Douce France is in situ project for Abbey de Maubuisson.The Abbey appears to Olga Kisseleva as a paradigm of this “Douce France” she had dreamed in Ru...
Three screens are linked to three body-building machines that visitors are invited to use. Doing so activates images of demonstrators projected onto t...
video graphics works Censorship is totally integrated into information production and distribution. In the photographic series Hidden, gore and zoophi...
Landstream visualizes the flux produced by communication technologies, the invisible signals which cross through us, and of which we are, most of the ...
"Olga Kisseleva’s project for the Musée Chagall, is formulated as an echo to the works displayed in the exhibition space but opens the proposition as ...
Three accessories identify a VIP: his/her passport, cell phone and international credit card. One sculpture condenses these three products into one. T...