»Thomson and Craighead Minigraph«
Archer, Michael and Julian Stallabrass. Thomson and Craighead Minigraph. London, UK: Film and Video Umbrella, 2005.Flat Earth is a desktop documentary, which takes the viewer on a seven minute trip around the world so that we encounter a series of fragments taken f...
In Unprepared Piano, a Yamaha disklavier grand piano is connected to a database of music MIDI files appropriated and compiled from all over the web. T...
Telephony allows gallery visitors to dial into a wall based grid of 42 Siemens mobile telephones, which in turn begin to call each other and create a ...
All versions of, Decorative Newsfeeds use a live feed from the web to present up to the minute headline news from around the world as a series of plea...
'Thalamus' is a simple user led environment designed for DATA projection into a gallery space where the user navigates the work with a mouse or slider...
A beautifully crafted set of four tea towels sporting a series of authentic search engine results returned to a user when the criteria, 'Please Help M...
Horizon is a narrative clock made out of images accessed in realtime from webcams found in every time zone around the world. The result is a constantl...
Realtime recordings of persons using their mouse are layered ontop of each other, divorced from their original context and then projected back into th...
Light from Tomorrow is an artwork by British artists Thomson & Craighead.
It centres on an expedition to The Kingdom of Tonga, where tomorrow’s o...
In Weather Gauge, numerical weather data from over 150 countries is simultaneously represented in a gallery forming an array of hypnotic animated data...
A specially commissioned gallery installation for, Art & money Online held at Tate, Britain in March 2001 and curated by Julian Stallabrass -based on ...
Triggerhappy is a gallery installation whose format will be familiar to anyone who has encountered that early arcade game, Space Invaders combining an...
Speaking in Tongues is a gallery based environment examining Our relationship with narrative and dataflow invisibly coursing through our environment a...