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»decon«

© Marta de Menezes

Keywords

  • aesthetics
    • acoustic
    • affective
    • anamorphic
    • animated
    • anthropomorph
    • assembled
    • automated
    • autopoietic
    • collaborative
    • contextual
    • cybernetic
    • disgusting
    • documenting
    • duplicated
    • dynamic system
    • ephemeral
    • experimental
    • found object
    • generative
    • gustatory
    • hypermediacy
    • illusionary
    • immaterial
    • immersive
    • installation-based
    • interactive
    • intermedial
    • intervention
    • mobile
    • modular
    • multi-user
    • multiple
    • narrative
    • navigable
    • networked
    • olfactory
    • panoramatic
    • performative
    • polysensory
    • processual
    • projected
    • real-time
    • remediated
    • remixed
    • sculptural
    • site-specific
    • sonification
    • sublime
    • tactile
    • telematic
    • three-dimensional
    • time-based
    • uncanny
    • virtual
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  • genre
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        • body
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        • easel painting
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      • Automatic Identification and Data Capture (AIDC)
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        • Body Tracking
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        • breathing sensor
        • Breathing-Balance-Interface-Vest
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        • eye scanner
        • facial recognition system
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        • positiontracker
        • retina scanner
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        • step sensor
      • camera recording
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        • Auditory User Interface (AUI)
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        • breath based communication
        • Internet of Things (IoT)
        • Ludic Interface
        • MR-based (Mixed Reality) Interaction
        • Multi-Modal Interaction
        • tactile user interfaces
        • Tangible Acoustic Interface
        • Tangible User Interface (TUI)
        • Voice User interface
      • Non-electronic interface
        • bike
        • doll
        • furniture
        • plant
      • Soundgenerating device
        • Audiotape
        • keyboard
        • microphone
        • musical instrument
        • RFID (Radio-frequency Identification)
        • Speech Recognition
        • syntheziser
        • telephone
        • Theremin
        • turntable
        • voice analysis
        • Voice User Interface (VUI)
      • virtual balance
    • Software
      • C++
      • CGI/Perl
      • CSS
      • Global Positioning System (GPS)
      • ISDN
      • Java
      • Linux
      • Optical Character Recognition (OCR)
      • periscope
      • PHP
      • RFID (Radio-frequency Identification)
      • robotic interfaces
      • SGI Onyx2
      • softimage
      • software interface
      • Video
      • VRML
      • Wireless Sensor Network (WSN)
      • XML
2262
Information
Cite
X
Archive of Digital Art (ADA). “Marta de Menezes - »decon«”. https://www.digitalartarchive.at/database/general/work/decon.html (retrieved 2014-23-07). @online{ADAartistprofile, author = {Archive of Digital Art (ADA)}, title = {Marta de Menezes - »decon«}, url = {https://www.digitalartarchive.at/database/general/work/decon.html}, urldate = {retrieved 2014-23-07}
Technology
Material
Pseudomonas putida bacteria
painting with bacteria Support medium
Descriptions & Essays
The project explores the use of biotechnology methods and materials as art media, for the development of paintings literally alive that deconstruct themselves while exhibited. In Decon, replicas of Piet Mondriaan’s geometric paintings were created using bacterial support medium. Pseudomonas putida bacteria progressively degrade the colours in these paintings. As a consequence, with time, the paintings of Decon become progressively empty of all colour. In order to facilitate the understanding of the live dynamics of the artwork, and to approach Decon to the scientific discourse, the Decon painting is exhibited together with the same painting prepared in the absence of bacteria and that as a consequence does not degrade. This concept is usually known in science as the “control group”.
Literature
Marta de Menezes. »Decon: desconstrução, descontaminação, decomposição.« NADA 9 (2007): 98-109.
Exhibitions & Events