»Eve Clone IV/V« 
Light Box
Light Box
© https://linpeychwen.com/eve-clone-iv-v/; Media: 3D Animation, Digital Image and Sound, Interactive System, Kinect, WebCam, Computer, Projector, Stereo
Dimensions Variable
Year: 2011
Exhibitions
2011“Eve Clone Series I” MOCA, Taipei
2012“YES, Taiwan Biennial”, Taiwan Museum of Arts, Ta
Keywords
Information
Lin Pey-Chwen >
»Eve Clone IV/V«, 2011 - 2011
Co-Workers & Funding:
Sheng-Chieh Wang, Chin-Shiang Hu/ Lin Pey-Chwen Digital Art Labhttps://linpeychwen.com/eve-clone-iv-v/
Technology
Display
Media: 3D Animation, Digital Image and Sound, Interactive System, Kinect, WebCam, Computer, Projector, StereoDimensions Variable
Year: 2011
Descriptions & Essays
pey-Chwen Lin 23-09-2021
Created using 3D animation, interactive computer programs, infrared sensors, and webcams, Eve Clone IV/V is an interactive audiovisual installation that features six large-scale “Eve Clone” projected across a three-dimensional, hexagonal arrangement. Incubating in liquid, the Eve Clone is a large alien life form with Number of the Beast, 666 in different languages, on her forehead as a symbol of evil. As viewers approach and their motion are detected in the vicinity, the Eve Clone vigilantly turns her head to gaze at them. With the audience’s moving, it controls her head’s angle, and Eve Clone’s eyes will also follow. it seems that the audience dialogues with huge “Eve Clone” in this queer environment to bring the hidden danger behind the high-tech development out.
pey-Chwen Lin: Eve Clone IV/V, 23-09-2021, in: Archive of Digital Art Created using 3D animation, interactive computer programs, infrared sensors, and webcams, Eve Clone IV/V is an interactive audiovisual installation that features six large-scale “Eve Clone” projected across a three-dimensional, hexagonal arrangement. Incubating in liquid, the Eve Clone is a large alien life form with Number of the Beast, 666 in different languages, on her forehead as a symbol of evil. As viewers approach and their motion are detected in the vicinity, the Eve Clone vigilantly turns her head to gaze at them. With the audience’s moving, it controls her head’s angle, and Eve Clone’s eyes will also follow. it seems that the audience dialogues with huge “Eve Clone” in this queer environment to bring the hidden danger behind the high-tech development out.
Literature
Dr. Turner, Ming. »Visualizing post-human and cybersexuality: Lin Pey-Chwen and the Eve Clone Series.« East Asian Journal of Popular Culture 2, no. 2 (2016): 227-245.
Fang-Ho, Cheng. »Speaking Subject — Lin Pey- Chwen’s Eve Clone.« Artist Magazine (2014): 404-407.
Kuang-ying Kuo, Gwen. »From Pupa to Eve Clone: Lin Pey-Chwen Empowering Feminity.« Taiwan Digital Art and Information Center (2014).
Tseng, Jane. »The Birth of Eve Clone - Technological Satire of a Genetic Reproduction Laboratory.« Art Appreciation (2011): 61-63.
Chih-Yung, Chiu. »God’s Will or Human Desire: The Irony and Criticism in Lin Pey-Chwen’s Eve Clone series.« https://www.academia.edu/37253134/God_s_Will_or_Human_Desire_The_Irony_and_Criticism_in_Lin_Pey-Chwen_s_Eve_Clone_series.docx.
Exhibitions & Events