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»max mip tex«
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        • Body Tracking
        • brainwave sensor/brain-computer-interface
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      • interactive media
        • Auditory User Interface (AUI)
        • Augmented Reality Interfaces
        • breath based communication
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        • tactile user interfaces
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        • Tangible User Interface (TUI)
        • Voice User interface
      • Non-electronic interface
        • bike
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        • furniture
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      • Soundgenerating device
        • Audiotape
        • keyboard
        • microphone
        • musical instrument
        • RFID (Radio-frequency Identification)
        • Speech Recognition
        • syntheziser
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        • turntable
        • voice analysis
        • Voice User Interface (VUI)
      • virtual balance
    • Software
      • C++
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      • Global Positioning System (GPS)
      • ISDN
      • Java
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      • periscope
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      • RFID (Radio-frequency Identification)
      • robotic interfaces
      • SGI Onyx2
      • softimage
      • software interface
      • Video
      • VRML
      • Wireless Sensor Network (WSN)
      • XML
2408
Information
Cite
X
Archive of Digital Art (ADA). “Julian Oliver - »max mip tex«”. https://www.digitalartarchive.at/database/general/work/max-mip-tex.html (retrieved 2010-17-09). @online{ADAartistprofile, author = {Archive of Digital Art (ADA)}, title = {Julian Oliver - »max mip tex«}, url = {https://www.digitalartarchive.at/database/general/work/max-mip-tex.html}, urldate = {retrieved 2010-17-09}
Technology
Software
The default maximum texture data usage has been surpassed. To fix this simplly replace textures with textures you've used somewhere else in your map or change the default maximum texture data to something else via the -texdata parameter. The default is 4096kb so try something like "-texdata 8192". Note: this parameter must be added to every stage you run. "
Descriptions & Essays
chad and I were playing around with running some of our half-life levels on a Hercules card [KyroII chipset] using the wrong drivers [Nvidia Geforce 2] . we suspected this might lead to something interesting, as they have very different ways of handling OpenGL. at first we thought the screen had hung, then it twitched into action, revealing slithers of the map we'd tried to load. we hit the strafe key and fragments of toothy texture peeled around our dyslexic camera. punching the air like heroes we dumped it onto DV while we fired a pistol into the splitting field and chatted to whatever distressed bots were in there. though the audio was good, we dressed it up further - I added a bedevilled midi theme piece to draw a closer relationship between the 'textile catalogue' nature of Max_Miptex and visions of the 'executive lounge' in the early 80's - when twisted willow, ebony vases and marlboro's were all ok. we offer Max_Miptex as a kind of 'glitch machinima'.
Literature
Oliver, Julian. »The Similar Eye: Proxy Life and Public Space.« In Computer Gambes and Digital Cultures Conference Proceedings, edited by . : Tampere University Press, 2002.
Julian Oliver. »Polygon Destinies: The Production of Place in the Digital Role-Playing Game.« In COSIGN 2001 Conference Proceedings, edited by . Melbourne Victoria, Australia: Julian Holland Oliver Interactive Information Institute RMIT University,, 2000.