»Myriorama« 
Light Box
Light Box_selected.jpg)
© kondition pluriel; ISEA2004, Kiasma Theater, Helsinki, FI, 2004
Keywords
Information
kondition pluriel >
»Myriorama«, 2004
Co-Workers & Funding:
Concept, development, production: ambientTV.NET (Manu Luksch and Mukul Patel) and kondition pluriel (Martin Kusch and Marie Claude Poulin) / Performance: Martin Belanger / Roamer: Locally recruited / Tent: Camalo Gaskin / GPS/GPRS architecture, visualisation co-development: David Muth / Additional Max/Jitter programming: Alexandre Burton / London/live roamer: Shane Solanki; pre- recorded annotated walks by Pete Gomes, Christian Nold, Lottie Child, Diana BaldonCo-production:
kondition pluriel, Montreal, and ambientTV.NET, London
With the support of:
Conseil des arts et des lettres du Québec, Canada Council for the Arts,
Conseil des Arts de Montréal
https://konditionpluriel.org/?artworks=myriorama&lang=en
Technology
Method
Telepresence workurban-theatrical performance integrating tele- presence and geolocation
Descriptions & Essays
(collective) Kondition Pluriel 31-03-2022
Geolocative performance simultaneously staged in the street and in the theater. The public sits in a tent, on which text messages of an urban passer-by / actor are manipulated by movements of a dancer outside the tent. Surveillance technologies, GPS from the cellphone and a sensor system, are here diverted and integrated into the narrative of Italo Calvino's short story, “A king listens”. The dancer watches over, manipulates and dominates his environment, like Calvino’s king. Reflection on infiltration of private life by surveillance systems, also questioning theater performance conventions and formats.
Find more information about this work under the following links:
https://konditionpluriel.org/?artworks=myriorama&lang=en
https://vimeo.com/315847122
(collective) Kondition Pluriel: Myriorama, 31-03-2022, in: Archive of Digital Art Geolocative performance simultaneously staged in the street and in the theater. The public sits in a tent, on which text messages of an urban passer-by / actor are manipulated by movements of a dancer outside the tent. Surveillance technologies, GPS from the cellphone and a sensor system, are here diverted and integrated into the narrative of Italo Calvino's short story, “A king listens”. The dancer watches over, manipulates and dominates his environment, like Calvino’s king. Reflection on infiltration of private life by surveillance systems, also questioning theater performance conventions and formats.
Find more information about this work under the following links:
https://konditionpluriel.org/?artworks=myriorama&lang=en
https://vimeo.com/315847122
Literature
Exhibitions & Events