»The pavillion of post-contempary curating: +MUPCA« 
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Maurice Benayoun >
»The pavillion of post-contempary curating: +MUPCA«, 2009 - 2009
http://www.benayoun.com/projet.php?id=157
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Museum of Post-Contemporary Art (MuPCA) in The Dump Paris est une ville qui semble croire à un déterminisme calendaire qui affecterait l’histoire de l’art et plus encore l’architecture de sa conservation. Orsay: un musée du XIXe siècle, le Centre Pompidou: un Musée du XXe siècle consacré au modernisme et au postmodernisme. On comprend alors que ce découpage cristallise une vision segmentée de l’histoire de l’art qui trancherait par siècle.
L’évidence s’impose de la nécessité d’un lieu dédié à la monstration et la conservation du post-contemporain que par facilité nous appellerons le Musée du XXIe siècle. Entre temps la question de la conservation de la création faisant appel aux nouveaux médias, réputée dématérialisée mais profondément techno- épendante, résolument résistante à la réification – et donc aux transactions financières – mais dont on sait, et ce projet tente d’anticiper le phénomène, qu’à l’image de celle qui l’a précédée, elle sera absorbée par l’histoire de l’art qui ne refuse aucun objet quelle qu’en soit la forme, la cause ou l’effet pour peu qu’il fasse école. Ce n’est plus à démontrer.
DA Editor 04-02-2016
Post-Museum of Contemporary Art (MoCA) in The Dump Paris is a city that seems to believe in a calendar that would affect the determinism of art history and even more architectural conservation. Orsay museum of the nineteenth century, the Pompidou Centre: a museum devoted to twentieth century modernism and postmodernism. We now understand that this cutting crystallizes a segmented view of the history of art that would settle a century. The thing is obvious the need for a place dedicated to the demonstration of contemporary and post-conservation by ease we will call the Museum of the XXI century. Meanwhile the issue of the conservation of creation using new media, renowned cloud but technological deeply dependent way, resolutely resistant to the reification - and therefore financial transactions - but how we know, and this project is trying to anticipate the phenomenon that, like the one that preceded it, it will be absorbed by the history of art that refuses any object in whatever form, cause or effect provided, it will do school. It is well established.
DA Editor: The pavillion of post-contempary curating: +MUPCA, 04-02-2016, in: Archive of Digital Art Post-Museum of Contemporary Art (MoCA) in The Dump Paris is a city that seems to believe in a calendar that would affect the determinism of art history and even more architectural conservation. Orsay museum of the nineteenth century, the Pompidou Centre: a museum devoted to twentieth century modernism and postmodernism. We now understand that this cutting crystallizes a segmented view of the history of art that would settle a century. The thing is obvious the need for a place dedicated to the demonstration of contemporary and post-conservation by ease we will call the Museum of the XXI century. Meanwhile the issue of the conservation of creation using new media, renowned cloud but technological deeply dependent way, resolutely resistant to the reification - and therefore financial transactions - but how we know, and this project is trying to anticipate the phenomenon that, like the one that preceded it, it will be absorbed by the history of art that refuses any object in whatever form, cause or effect provided, it will do school. It is well established.
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